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A Mirror to Vanity: Richard Dean Hughes, Laura Lancaster, Lyle Perkins, Glen Pudvine, Maria Szakats & Katie Tomlinson

Past exhibition
26 January - 24 February 2024
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Open a larger version of the following image in a popup: Katie Tomlinson, Ssssssssssself Care, 2024
Open a larger version of the following image in a popup: Katie Tomlinson, Ssssssssssself Care, 2024
Open a larger version of the following image in a popup: Katie Tomlinson, Ssssssssssself Care, 2024
Open a larger version of the following image in a popup: Katie Tomlinson, Ssssssssssself Care, 2024
Open a larger version of the following image in a popup: Katie Tomlinson, Ssssssssssself Care, 2024

Katie Tomlinson

Ssssssssssself Care, 2024
Oil and oil bar on canvas
110 x 90 cm
43 1/4 x 35 3/8 in.
Unique
Courtesy of the artist and Brooke Benington
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Further images

  • (View a larger image of thumbnail 1 ) Maria Szakats, A attacking P, 2024
  • (View a larger image of thumbnail 2 ) Maria Szakats, A attacking P, 2024
  • (View a larger image of thumbnail 3 ) Maria Szakats, A attacking P, 2024
  • (View a larger image of thumbnail 4 ) Maria Szakats, A attacking P, 2024
  • (View a larger image of thumbnail 5 ) Maria Szakats, A attacking P, 2024
In Tomlinson’s oil and oil bar painting on canvas, titled Ssssssssssself Care, Medusa, the Gorgon, is depicted in an unconventional setting—getting her 'hair' done in a salon. Using the Gorgon...
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In Tomlinson’s oil and oil bar painting on canvas, titled Ssssssssssself Care, Medusa, the Gorgon, is depicted in an unconventional setting—getting her "hair" done in a salon. Using the Gorgon as a symbol of reclaiming power and resisting objectification. The work recognises the prevalent male-centric narratives that have dominated history and mythology. In Ovid's rendition of the Medusa myth, it's Poseidon who commits the heinous act of raping Medusa within Athena's sacred temple. Instead of punishing Poseidon, the perpetrator, it's Medusa, the victim, who suffers Athena’s anger and is cursed with serpent locks and a lethal gaze. Unlike the tale of Medusa, within this painting, she is being respected and empowered by an act of care - her snakes are being cared for, washed, combed, and fed mice. However, could this self-care be a tactical approach, conforming to patriarchal beauty standards so she can seduce her next victim? Beauty as a weapon.

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Exhibitions

A Mirror to Vanity, Brooke Benington, London (2024)
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