The painting in oil, beeswax, pencil and staples on canvas represents a myriad of old-fashioned unspecified technological devices, maybe calculators, with screens and keyboards. The painting is composed of two canvases stitched together in an operation that is reminiscent of a cyborgian mashup. This large canvas perfectly embodies the aesthetics of David Cronenberg’s sci-fi films from the '80s and '90s. Evoking an eerie feeling of surveillance and dependency on technology, the work reproduces a grid, a theme the artist has widely explored in many of the works in her exhibition “Corporate Horrors”. Technology is a central element in the workplace observed by Fuller - this becomes an obsession which she repeats in patterns that suggest a pervasive unsettling sense of being watched and controlled.