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Open a larger version of the following image in a popup: Mark Hosking, Boom Series, 2020-2021
Open a larger version of the following image in a popup: Mark Hosking, Boom Series, 2020-2021

Mark Hosking

Boom Series, 2020-2021
Painted aluminium, steel, cast iron, varnished wood, bass machine heads, cello strings, screws, bolts
Dimensions variable
Unique
Photo: Corey Bartle-Sanderson. Courtesy of the artist, Canary Wharf and Brooke Benington
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The ‘boom’ series is a fusion of two divergent references to function. Firstly, civil engineering - a concern with high-visibility, safety, barriers and other types of controlling devises. Secondly, musical...
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The ‘boom’ series is a fusion of two divergent references to function. Firstly, civil engineering - a concern with high-visibility, safety, barriers and other types of controlling devises. Secondly, musical instruments - developed using the tonal quality of strings placed under tension. Stripped of utilitarian function, structures such as barrier booms, bollards and safety gates are re-evaluated for their physical properties and their assertive aesthetics. They are also repurposed sonically via attached musical instrument components. The resulting forms resonate more intensely when struck, creating an additional sound, voice, or purpose.
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Exhibitions

State of Play: Canary Wharf, curated by Brooke Benington, London (2022)

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