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Open a larger version of the following image in a popup: Jemma Egan, The Reset Button, 2022
Open a larger version of the following image in a popup: Jemma Egan, The Reset Button, 2022
Open a larger version of the following image in a popup: Jemma Egan, The Reset Button, 2022
Open a larger version of the following image in a popup: Jemma Egan, The Reset Button, 2022
Open a larger version of the following image in a popup: Jemma Egan, The Reset Button, 2022

Jemma Egan

The Reset Button, 2022
Tile on board
12 x 56 x 36 cm
4 3/4 x 22 x 14 1/8 in.
Unique
Photo: Corey Bartle-Sanderson. Courtesy of the artist, Canary Wharf and Brooke Benington
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The Reset Button is an object to be sought out and found. Usually somewhat hidden in location so as not to reset by accident. To reset seems to imply a...
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The Reset Button is an object to be sought out and found. Usually somewhat hidden in location so as not to reset by accident. To reset seems to imply a fresh start, a new beginning. To reset a game, a device, a place, the day, a moment. There is a permanence to the idea – are you sure you want to do this? It is fraught for this reason; on the other side, a chance to restart can promise hope and opportunity, a fresh start. The term reset has some uneasy associations in covid times, ‘the great reset’ a phrase used by technocrats and populists alike to describe the coordinated policy and monetary response to the coronavirus pandemic. The reset button here tries to represent all these things: subtle, unassuming, hard to locate, multi-faceted, 2022.
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Exhibitions

State of Play: Canary Wharf, curated by Brooke Benington, London (2022)

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