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Open a larger version of the following image in a popup: Framed white and brown print with human figure by Alexi Marshall
Open a larger version of the following image in a popup: Detail with vegetal forms of a print by Alexi Marshall
Open a larger version of the following image in a popup: Framed white and brown print with human figure by Alexi Marshall
Open a larger version of the following image in a popup: Pomegranate detail of a print by Alexi Marshall
Open a larger version of the following image in a popup: Detail of pomegranate in Alexi Marshall print
Open a larger version of the following image in a popup: Detail of hand in Alexi Marshall print
Open a larger version of the following image in a popup: Detail of mushrooms on a human head by Alexi Marshall

Alexi Marshall

Soul Vessel, 2024
Ink on Kozuke paper
186 x 96 cm
73 1/4 x 37 3/4 in.
Unique
Courtesy of the artist and Brooke Benington
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Further images

  • (View a larger image of thumbnail 1 ) Framed white and brown print with human figure by Alexi Marshall
  • (View a larger image of thumbnail 2 ) Detail with vegetal forms of a print by Alexi Marshall
  • (View a larger image of thumbnail 3 ) Framed white and brown print with human figure by Alexi Marshall
  • (View a larger image of thumbnail 4 ) Pomegranate detail of a print by Alexi Marshall
  • (View a larger image of thumbnail 5 ) Detail of pomegranate in Alexi Marshall print
  • (View a larger image of thumbnail 6 ) Detail of hand in Alexi Marshall print
  • (View a larger image of thumbnail 7 ) Detail of mushrooms on a human head by Alexi Marshall
Part of a diptych with two human figures, Soul Vessel shows a mouthless figure which is an homage to the Cuban large-scale printmaker Belkis Ayon. This work, like the other...
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Part of a diptych with two human figures, Soul Vessel shows a mouthless figure which is an homage to the Cuban large-scale printmaker Belkis Ayon. This work, like the other piece in the diptych, references early anatomical illustrations, showing the human body and its parts and their functions. Densely symbolic, the work presents the recurring fruit of the pomegranate, which references fertility, hence the trees growing from it upward and downward from the figure’s knees, and death, symbolised by the fruit’s blood-red juices. The parallel between human and vegetal beings is shown by the roots and branches instead of veins and arteries, and the palms of the hands mimic the patterns of tree rings.


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